When Feminist Punk Defies Patriarchy

Abstract

This thesis examines the role music plays in defending gender equality in different political regimes, focusing on the feminist punk bands Pussy Riot in Russia and Les Vulves Assassines in France. By analysing nineteen interviews of the bands' members, the research investigates how music enables marginalised groups to amplify their voices to challenge gender norms and criticise unjust societies. Building on Fraser's theory of 'subaltern counterpublics' (1990), the findings reveal that both bands use music to attract public attention, foster a sense of community and promote women's empowerment. Whereas Pussy Riot faces repression from the competitive authoritarian regime, Les Vulves Assassines operate in a democratic state that doesn't prevent them from facing negative repercussions. Consequently, this research offers a new perspective on music as a tool to achieve social changes, aligning with global efforts to reach gender equality as stated in the fifth Sustainable Development Goal (United Nations General Assembly, 2015).

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P.S.: For ethical reasons, I am not allowed to share my full thesis.
Partly due to the consent form with Les Vulves Assassines, in which I committed to keep interview data confidential and use it only in an academic context.